Interview with Gabriel Antunes Henke Carrano

Gabriel Antunes Henke Carrano ("GAHC") interviewed on Friday, 3 January.

Could you please tell us about your experience as a designer, artist, architect or creator?

GAHC : I began my journey as an architecture student, but during my studies, I discovered my passion for furniture design. This marked the start of my career in furniture design five years ago. Since then, I have collaborated with Brazilian companies such as Proa and Karams. Additionally, I’ve developed a strong interest in education and am currently preparing to become a professor.

How did you become a designer?

GAHC : My path to design was shaped during my college years by a series of factors. Initially, I couldn't afford furniture for my dorm, so I repurposed moving boxes to build a wardrobe. This made me appreciate the significance of design in everyday life. In class, I was inspired by iconic designers like Eames, Saarinen, Rodrigues, Niemeyer and Gray, who taught me that furniture can enhance how people experience spaces. Later, during an internship in Chicago, I created a piece of furniture with no prior workshop experience. My improvised techniques impressed my professor, who encouraged me by saying, "You’re really good at this." That moment gave me the confidence to pursue this path.

What are your priorities, technique and style when designing?

GAHC : My primary goal is to design furniture that fosters presence and connection. For example, a comfortable chair to enjoy conversations or a stylish sideboard to hold a stereo for impromptu dancing. I draw inspiration from simple shapes and continuous lines, which align with the industrial style. My process balances functionality and aesthetics to create pieces that seamlessly integrate into the user’s life.

Which emotions do you feel when designing?

GAHC : Designing fills me with excitement at the beginning, followed by anxiety as I work through challenges. As designers, it’s natural to worry about whether our ideas will translate well into reality. But this uncertainty is what drives us to improve. After navigating trial and error, the ultimate emotion is happiness—a sense of accomplishment in seeing the final product come to life.

What particular aspects of your background shaped you as a designer?

GAHC : During architecture school, my professors often noted that my projects were highly formal but lacked functionality. This critique pushed me toward furniture design, where I could balance both form and function. This shift allowed me to focus on the artistic aspects while maintaining practicality.

What is your growth path? What are your future plans? What is your dream design project?

GAHC : My next step is to collaborate with other designers to merge ideas into exceptional designs. While creating an atelier for my work is a distant goal, my immediate focus is on designing and collaborating. In the long term, I envision myself as a professor specializing in the history of furniture design.

What are your advices to designers who are at the beginning of their career?

GAHC : Always read your contracts carefully. Trust the process and document every idea you share. Be open to changing your designs during development and stay loyal to those who support you. However, don’t hesitate to set boundaries when needed.

You are truly successful as a designer, what do you suggest to fellow designers, artists and architects?

GAHC : If I could influence my peers, I would emphasize the importance of designing for the future: using sustainable materials, honing technical skills, and mentoring young professionals who seek guidance.

What is your day to day look like?

GAHC : I start my day with physical exercise to energize my body, followed by reading or gaming to engage my mind. My mornings are dedicated to sketching initial concepts by hand, while afternoons focus on technical design work. I end my day with podcasts and books about design to stay inspired.

How do you keep up with latest design trends? To what extent do design trends matter?

GAHC : I subscribe to numerous newsletters and frequently discuss market trends with friends. Trends provide direction, but they should not overshadow creativity. I trust that my designs naturally reflect the influences of what I read and observe.

How do you know if a product or project is well designed? How do you define good design?

GAHC : Good design finds the balance between functionality and aesthetics, satisfying the designer, collaborators, and users. A well-designed product is one that cannot be meaningfully improved—or one that embraces its limitations gracefully.

How do you decide if your design is ready?

GAHC : For me, a design is complete when I can successfully create a 3D model where all parts fit seamlessly, both functionally and aesthetically. If the design achieves these goals without compromise, it’s ready.

What is your biggest design work?

GAHC : I’m particularly proud of Pudu, a piece that has gained national and international recognition. It has performed well in competitions and garnered significant public and press attention.

Who is your favourite designer?

GAHC : My preferences evolve, but currently, I deeply admire Lina Bo Bardi. Her work captured the essence of Brazilian society during her time, producing remarkable furniture and architectural masterpieces.

Would you tell us a bit about your lifestyle and culture?

GAHC : I live a balanced life, enjoying the duality of exploring new places for inspiration while cherishing time with family and friends. My Brazilian heritage is reflected in the music I listen to, the food I eat, and the practical, joyful way I solve problems.

Would you tell us more about your work culture and business philosophy?

GAHC : I typically begin my projects alone, with just a pencil and paper, as I believe the initial concept must come from a deeply personal and creative space. Once I have a clear idea, I delve into research to determine how to bring the design to life. Collaboration often comes into play at this stage, where I share my sketches and concepts with trusted partners to refine and expand on the original vision. This collaboration transforms good ideas into great designs.

What are your philanthropic contributions to society as a designer, artist and architect?

GAHC : I recently developed a bench made from recycled plastic that doubles as a shelter for homeless individuals. This project not only provides practical solutions but also involves the community in recycling efforts.

What positive experiences you had when you attend the A’ Design Award?

GAHC : Participating in the A’ Design Award taught me the importance of articulating my design choices clearly. The process helped me better understand and refine my design approach, which has been invaluable for my growth

Gabriel Antunes Henke Carrano Profile