Interview with Yingfei Zhuo

Yingfei Zhuo ("YZ") interviewed on Tuesday, 28 May.

Could you please tell us about your experience as a designer, artist, architect or creator?

YZ : I have been in the design and architecture industry for about seven years. My journey began with a Bachelor of Architecture from the University of Liverpool, followed by a Master of Science in Light and Lighting from University College London. Recently, I completed a Master of Fine Arts in Industrial Design from Parsons School of Design in New York. My career has taken me through dynamic projects in both New York and Beijing, working with prominent companies and esteemed clients who value innovative and sustainable design. My expertise spans the use of bio-materials, the interplay of light and shadow, and the creation of functional yet aesthetically captivating structures.

How did you become a designer?

YZ : My journey into design was driven by an intrinsic passion for creating spaces and objects that blend functionality with artistic expression. From a young age, I was fascinated by how design could shape our environment and experiences. My formal education began at the University of Liverpool, where I developed a solid foundation in architecture. Influenced by mentors and a desire to explore the dynamic relationship between light and space, I pursued further studies in light and lighting at UCL. This academic journey, combined with hands-on experience, naturally transitioned me into industrial design at Parsons, where I discovered the transformative potential of biomaterials. My path was a blend of educational milestones and a deep-seated drive to make a positive impact through design.

What are your priorities, technique and style when designing?

YZ : When designing, I prioritize sustainability, functionality, and aesthetic harmony. My top three aspects of the design process are: Integration of Bio-materials: Emphasizing ecological responsibility by incorporating sustainable materials that breathe new life into discarded resources. Interaction with Light and Shadow: Utilizing natural light and shadows to enhance the spatial and visual experience of a design. Prototyping and Iteration: Combining both digital tools and physical mock-ups to refine and perfect my designs. I believe in hands-on experimentation as much as computer-aided precision.

Which emotions do you feel when designing?

YZ : Designing evokes a blend of excitement and fulfillment for me. The initial brainstorming phase is exhilarating, filled with endless possibilities and creative energy. As the design takes shape, I find a deep sense of satisfaction in overcoming challenges and refining details. The most rewarding moment is seeing the final product come to life, knowing it combines beauty, functionality, and sustainability. This journey from concept to realization brings me immense joy and a profound sense of accomplishment.

What particular aspects of your background shaped you as a designer?

YZ : My background in architecture and industrial design has significantly shaped my design approach. Non-design skills such as critical thinking, project management, and effective communication have been invaluable. These skills enable me to navigate complex projects, collaborate effectively, and articulate my vision clearly. The biggest influence on my work has been the mentors and educators who encouraged a holistic and sustainable approach to design, emphasizing the importance of blending form with function.

What is your growth path? What are your future plans? What is your dream design project?

YZ : My growth path involves pushing the boundaries of sustainable design, particularly through the innovative use of biomaterials. In the future, I aim to lead a design studio that pioneers ecological design solutions. My dream project is to create a self-sustaining community center that serves as a model for sustainable living, integrating renewable energy, green architecture, and bio-designed interiors. This project would encapsulate my vision of design as a force for positive environmental and social change.

What are your advices to designers who are at the beginning of their career?

YZ : For new designers, I advise embracing continuous learning and staying curious. Don’t be afraid to experiment and make mistakes—these are often the best learning opportunities. Network with professionals, seek mentorship and be open to feedback. Focus on developing a unique voice and perspective in your work. Remember that resilience and adaptability are key; the design industry can be challenging, but perseverance will lead to growth and success.

You are truly successful as a designer, what do you suggest to fellow designers, artists and architects?

YZ : For fellow designers, prioritize sustainability and innovation in your work. Stay informed about the latest advancements in materials and technology. Avoid common pitfalls such as overcomplicating designs or neglecting the end-user experience. Always strive for simplicity, clarity, and functionality in your designs. Cultivate a collaborative spirit, as diverse perspectives can greatly enhance your creative process. Lastly, stay passionate and let your enthusiasm for design drive you forward.

What is your day to day look like?

YZ : I typically spend my mornings sketching and brainstorming new ideas, then planning meetings with clients or team members. Afternoons are usually spent doing hands-on work in the studio, whether prototyping or experimenting with new materials. I love going for a walk at the end of the day to find inspiration in my natural environment, and I usually spend some time before bed reading or browsing online to keep up to date with the latest design trends and innovations.

How do you keep up with latest design trends? To what extent do design trends matter?

YZ : I stay updated with design trends through industry publications, design blogs, and attending conferences and exhibitions. While I value being aware of current trends, I prioritize developing a personal design style that reflects my values and vision. Trends can provide inspiration and inform certain aspects of my work, but I aim to create timeless designs that transcend fleeting fashions. My inspiration often comes from nature, art, and everyday life, which helps maintain a unique and authentic design approach.

How do you know if a product or project is well designed? How do you define good design?

YZ : Good design for me is defined by its ability to seamlessly blend aesthetics, functionality, and sustainability. A well-designed product or project should enhance the user experience, meet practical needs, and have a positive environmental impact. Key indicators include user satisfaction, durability, and the ability to evoke an emotional response. Common mistakes to avoid include overcomplicating the design and ignoring the user’s perspective. A good design is intuitive, efficient, and beautiful in its simplicity.

How do you decide if your design is ready?

YZ : I decide a design is ready when it meets the criteria of functionality, aesthetic appeal, and sustainability, and after thorough testing and iterations. It’s crucial to balance perfection with practicality, knowing when further changes won’t significantly improve the design. Feedback from peers, clients, and end-users plays a vital role in this decision. While designs can always be refined, there comes a point when it’s best to finalize and move on to new challenges, embracing continuous improvement in future projects.

What is your biggest design work?

YZ : EcoShell is currently the design project I am most proud of. It represents my fusion of sustainability, innovation and architectural beauty, and I invested a lot of time and creativity in its development. I started the EcoShell project to address the growing environmental issues related to marine waste and coastal erosion. My initial desire was to find a meaningful use for the millions of tons of discarded oyster shells that accumulate every year and would otherwise cause harm to the environment if left in landfills or oceans. I wanted to create a product that not only utilized these waste materials but also provided a sustainable solution for building materials in coastal areas. The design process began with extensive research into the properties of oyster shells and other marine debris. I tried various adhesives and found that extracts from fish bones worked as an effective and sustainable adhesive. I then developed a unique method for making tiles, combining oyster shell powder with this adhesive, resulting in a durable and biodegradable product. EcoShell is my biggest and best work because of its innovative approach to solving environmental problems, its practical applications, and its aesthetic flexibility. It converts waste into valuable resources, providing a sustainable alternative to traditional building materials. This project embodies my commitment to sustainability and my passion for design, making it a true reflection of my values and skills.

Who is your favourite designer?

YZ : I greatly admire the work of Shigeru Ban for his innovative use of materials and commitment to sustainability. His approach to humanitarian architecture, using recycled materials and creating functional, beautiful structures, is truly inspiring.

Would you tell us a bit about your lifestyle and culture?

YZ : Living and working in both New York and Beijing, I draw inspiration from the vibrant, dynamic cultures of these cities. Music plays a significant role in my creative process, helping me focus and think creatively. My cultural background emphasizes the importance of harmony and balance, which is reflected in my design philosophy. Good design, to me, is essential for societal advancement, fostering environments that promote well-being and sustainability. Small incremental changes, such as using eco-friendly materials in daily life, reflect my commitment to sustainable living.

Would you tell us more about your work culture and business philosophy?

YZ : My work culture emphasizes collaboration, innovation and sustainability. I enjoy working with diverse team members to create impactful designs together. When selecting partners or team members, I focus on creativity, integrity and commitment to sustainability. Core challenges in my profession include balancing aesthetic and functional needs and staying ahead of industry trends while maintaining a unique design identity.

What are your philanthropic contributions to society as a designer, artist and architect?

YZ : As a designer, I am actively involved in pro bono work and community projects that promote sustainability and social good. I believe that design can solve humanitarian problems and support initiatives that improve living conditions and promote community development. Additionally, I am working with volunteer projects in New York City, using their discarded ocean debris to create public installations in the city and contribute to educational programs.

What positive experiences you had when you attend the A’ Design Award?

YZ : Winning the 2024 A’ Design Award is an important milestone and provides international recognition and validation for my work. It helped me gain visibility, opportunities to network with industry leaders, and constructive feedback from respected judges. Design competitions are essential for pushing creative boundaries, learning from peers, and identifying emerging trends. Being named Designer of the Day is an honor and it inspires me to continue striving for excellence in my work.

Yingfei Zhuo Profile